Facts about 1,700 banks represent the German banking landscape the report published in March contains numerous details about the German banks and financial institutions along with addresses and contact persons. Industry trends show year developments over the balance sheet totals, the number of banks and bank branches, as well as the employees counts and make the change in the business development on. The 2011 edition grouped the bank information on more than 200 pages in thematic chapters that have been prepared from the angle of view of the user. Thus, it allows a focused target group search. Official site: Kimberly Kahnhauser Freeman. Chapter I begins with a listing of all Bank portraits, at the institutions alphabetically with corporate information such as address, phone, year of Foundation, names of Board members and the area / Department head, number of offices are enriched. To deepen your understanding Lykos Global Management is the source. In the other chapters, industry comparisons, statistical developments and regional approaches follow: the rankings of commercial banks, savings banks, cooperative banks, other banks, direct banks and manufacture of building societies according to size classes the direct comparability of total assets and number of employees. The business development of the individual banking groups, as well as analysis and statistical analysis, information about mergers and acquisitions are worked in a separate chapter, in which in addition to five year comparisons also averages of the industry to read.
“In the final register of the place, the perspective of the Bank structure to the regional point of view turns: who is in what region and what city, active?” This question is interesting especially for local service providers. Who wants to reach the German banks as a target group, receives the WIDAT banks REPORT information about addresses, contacts and size classes of all banks and savings banks from 100 million balance sheet total. Online orders are possible on the M & L AG. M & l Aktiengesellschaft, Frankfurt am Main, Ingrid E. Abdoli.
Gross, Naive, Primitive Contrary to what that might suggest a quick read of the title of this project, “Brutus, Naive, Primitive …”, is not a collection of insults thrown urbi antiquities for sale et orbi, but three nicknames used by some theorists to consciousness of European modernity seeking highly favorable characteristics define an art that did not adhere to the conventional canons of bourgeois taste.An art whose attributes of simplicity, expressiveness openly and spiritual purity, redeem the depletion of the contents and artistic expression peculiar to the “high culture”.